Health Effects from Cell Phone Tower Radiation - 2899 Words

Health Effects from Cell Phone Tower Radiation by Karen J. Rogers The safety of cell phone towers is the subject of extensive scientific debate. There is a growing body of scientific evidence that the electromagnetic radiation they emit, even at low levels, is dangerous to human health. The cell phone industry is expanding quickly, with over 100,000 cell phone towers now up across the U.S., which is expected to increase ten-fold over the next five years. The industry has set what they say are â€Å"safe levels† of radiation exposure, but there are a growing number of doctors, physicists, and health officials who strongly disagree, and foresee a public health crisis. Many towers have been built recently in Siskiyou Colorado, with dozens†¦show more content†¦[10] Cell phone towers expose the public to involuntary, chronic, cumulative Radio Frequency Radiation. Low levels of RFR have been shown to be associated with changes in cell proliferation and DNA damage. Some scientific studies show adverse health effects reported in the .01 to 100 mW/cm2 range at levels hundreds, indeed, thousands, of times lower than the U.S. standards.These harmful low levels of radiation can reach as far as a mile away from the cell tower location. Reported health problems include headache, sleep disorders, memory impairment, nosebleeds, an increase in seizures, blood brain barrier leakage problems, increased heart rates, lower sperm counts, and impaired nervous systems.[ 11 ] Long term and cumulative exposure to cell tower radiation has no precedent in history. There are no conclusive studies on the safety of such exposures, and the growing body of scientific evidencereports such bioeffects and adverse health effects are possible, if not probable. Dr. Neil Cherry, Ph.D. biophysicist from New Zealand, reports that â€Å"There is no safe level of EMR radiation.†He said the standards are based on thermal effects, but important non-thermal effects also take place, such as cell death and DNA breakdown. Dr. Cherry wrote a 120-page review of 188 scientific studies. â€Å"The electromagnetic radiation causes cells to change in a way that makes them cancer forming.† It can increase the risk of cancer two to five times, he said. â€Å"To claimShow MoreRelatedAdvantages and Disadvantages of a Cellular Tower Essay717 Words   |  3 Pagescellular tower is basically a low power, multi-channel two-way radio, which communicates with individual phones. According to the U.S Food and Drug Administration, the FCC (Federal Communication Commission) and the zoning board which consists of the members of the cell phone companies maintain that the cell towers do not pose any kind of health hazards to public. As per the report of The American Cancer society and the WHO(World Health Organization) they did not find any evidence of adve rse health effectsRead MoreEssay on Telecommunication Towers and Antennas1343 Words   |  6 Pageserect or maintain barriers to telecommunications facilities. The siting of telecommunication towers and antennas was of major concern at this point of the game. However, this problem long existed before the new Act became law and still today causes ill feelings worldwide. It is stated that over 80 percent of those who succumbed to different types of cancer lived within a third of a mile from cell phone antennaes. The cancers were found in the prostate, breasts, lungs, kidneys, liver, are theRead MoreThe Effects Of Radio Frequency Waves On Health1931 Words   |  8 Pages Introduction With cell phone usage increasing, many individuals have become concerned about the health effects of radiation from cell phones and cell phone towers. In recent years, various studies have been conducted to determine whether the radio frequency waves from cell phone towers have a detrimental effect on health. Current research has yielded inconsistent results regarding the effects of radio frequency waves, and while the World Health Organization does not view radio frequency wavesRead MoreNegative Effects Of Cell Phones1192 Words   |  5 PagesIn this day and age, more than half of the worlds population owns and uses cell phones. It is a well-known fact that cell phones emit low doses of radiation each time one is used, however, people tend to brush it off and not think about the long-term effects it may have. Its only small doses, what harm can come from it? That is a question us cell phone users may ask ourselves, yet never really look into or research. Maybe its because we choo se not to know the actual truth and just focus on theRead MoreAre Electronics Dangerous or Cancerous?1232 Words   |  5 Pagesrevamped for health and safety reasons such as cancer risks, traffic accidents, and security purpose. On July 14, 2007, a 45 year old Australian man named John Patterson drove a tank through the streets of Sydney, destroying six cell-phone towers and an electrical substation along the way. Patterson, a telecommunications worker, reportedly had located all of the locations of the towers, which he claimed were harming his health. Protesters in England and Northern Ireland have destroyed cell towers by sawingRead MoreAre Cell Phones Dangerous?2205 Words   |  9 Pagesinvestigate the question ‘are cell phones dangerous’. I will show how a cell-phone works and how radiation caused by cell-phones may affect you, I will show you different viewpoints from different sources and go through identifying key points and evaluate their arguments I will then give you my own opinion based on the facts and research I have conducted. What is the electromagnetic spectrum? The electromagnetic spectrum is a range of different Electromagnetic radiation. The radiation is energy that travelsRead MoreThe Impact of Cell Phone Radiation on Our Health3234 Words   |  13 Pages Cell phones represent a type of technology that has been around for more than over fifty years; it has only been recently that many people began to use cell phones as a major part of their everyday life. In the past cell phones were for business people to conduct their business, but in today’s society every one owns a cell phone. Cell phones are interesting, useful and also play a major role in our life’s bringing people closer and keeping in touch with one another. Most people do not know and understandRead MoreInternational College Of Auckland1912 Words   |  8 PagesINTERNATIONAL COLLEGE of AUCKLAND Subject: Contemporary Business Issue 791 (v1) Assessment 2: Assignment B Does near microwave radiation from mobile phone providers cause human DNA damage? Lecturer: Richard Midgley From: Atul Singh Patial (DBP073) Khushkaran Singh (DB1135) Content Read MoreMobile Phone Use And Semen Quality870 Words   |  4 Pagesincrease in cell phone usage has brought up many concerns relating to our health. When I think about these health concerns, I think about my mother lecturing me, â€Å"Katheryn Paige Leyde, take your phone out of your front pockets right now!† I would role my eyes, and pull my phone out of my pocket. I never really thought of technology as a health hazard, but my mother had read an article; stating that trends in research show, technology can cause infertility, hearing loss or even cancer from the electromagneticRead MoreCell Phone Radiation May Help Alzheimers Disease Essay1569 Words   |  7 PagesAlzheimers disease and in a startling new report out today from the Alzheimers Association, predicts that one out of every eight baby boomers-- or almost 10 milllion Americans – is expected to develop this disease, (Mckenzie). The University of South Florida has led a study along with the Alzheimers Disease Research Center which has abandoned the idea that cell phone radiation is detrimental to our health. The experiment studied the effects of cell phones on Alzheimers. Professor Arendash, started this

How Does Williams Explore the Theme of Entrapment in the...

The characters in this play seek flight – How does Williams explore the themes of entrapment and flight? Tennessee Williams explores the theme of entrapment and flight through symbolism and motifs that depict a want for escape, relationships that portray entrapment of each other and conventions of a play, such as scenery, stage directions, narrative and dialogue that heighten these ideas as a whole. The opening scene sketches out the scenery and initial symbol of entrapment for all the characters - the flat which is ‘always burning with the slow implacable fires of human depression’. As Williams describes, the flat is a symbol of depression, formulated by the era the play was set in, the 1930s - just after the Wall St. Crash, in which†¦show more content†¦In terms of Laura herself, the glass menagerie in the central symbol to the play and represents, not only the different aspects of Laura, that is delicate and fragile, but also how Laura is trapped within a cabinet - within the fantasy world of glass figures. This links into the phrase ‘left on the shelf’, the idea that Laura, being part of the glass collections, has been left away from leading the normal life of romance which she fantasises about with Jim, showing how she has trapped herself on the shelf by being out of touch with reality, trapped within the cabinet. Linking on from the glas s figures being symbolic of Laura, the delicacy could be seen as symbolic of her disability, something Laura also believes traps her from being ‘normal’. However, this links onto the next aspect of exploring relationships, and in many ways Amanda is responsible for Laura’s belief that her disability entraps her. In Scene 2, Amanda’s entrapment of Laura becomes evident in three different lights, Laura’s fear of disappointing Amanda, Amanda’s overbearingness as a parent and the idea planted in Laura’s head by Amanda that her disability my hinder her in life. This becomes more apparent when Laura states to her mothers ‘I couldn’t face it’, referring to the fact the disappointment that would received if Laura had told Amanda that she ad quite the typewriting course. This shows how Laura feels there is a

Personal Philosophy of Nursing - 1021 Words

Personal Philosophy of Nursing I believe that balance is necessary to living a healthy lifestyle. Fun and pleasure are a necessity of life. When you are living healthy, you are building up your immune system, strengthening your body and mind, fueling yourself with nutrients that will help you to grow and progress, and becoming stronger, quicker, confident, conscious, and bettering yourself all-around. Personal Philosophy on Personal Health I aim to eat as little processed foods as possible, and prefer to eat natural, whole foods. I avoid additives. Food is fuel, and food should also taste incredible. I love to experiment in the kitchen and while it doesn’t always turn out as I had hoped, I still learn something from my faults and†¦show more content†¦They share complete and impartial information with patients and families, with the patients consent. Nurses empower all employees and physicians to provide patient- and family centered care. Personal Philosophy on Fellow Health Care Professionals We should uphold our personal and professional ethical standards at all times. When we find conflict between our personal beliefs and those of the patient, we should endeavor to find a mentor to guide us through our conflict and find a solution that meets the needs of the patient without compromising our own personal belief system. As nurses, we must vow to take accountability for our own actions. I must remember that my fellow nurses can be great resources. They deserve respect and recognition for their hard work, reliability, and knowledge. Nurses should support and assist fellow nurses, nursing students, and other healthcare providers to provide a positive team environment Together we can collaborate to maximize the patient’s health potential on the illness-wellness continuum. As nurses, we can do our part to improve the image of the nursing profession through daily work ethics as well as involvement in the community, political, and professional nursing organizations. Through these forums, nurses can collectively improve healthcare standards both locally and globally. Conclusion I think I am still in nursing today because every day always brings new opportunities and experiences. The field of nursingShow MoreRelatedPersonal Nursing Philosophy : My Personal Philosophy Of Nursing1475 Words   |  6 PagesPersonal Philosophy of Nursing When one thinks of a nurse they often think of a caring, compassionate, knowledgeable individual. They don’t often think that every nurse comes from different situation, past experiences, and life changing events that make nurses who he or she is. Everyone on this earth is unique and has something to contribute. The same goes for patients. Each patient has a different background and have different interests which make them who they are. In order to give the optimalRead MorePersonal Nursing Philosophy : My Personal Philosophy Of Nursing1190 Words   |  5 PagesPersonal Philosophy of Nursing Megan A. Farrell Moberly Area Community College Introduction I, Megan Farrell, am currently a Licensed Practical Nurse at a treatment center that works with prisoners. I accepted a clinical positon here as a graduate, but plan to work in a hospital setting once I have become a Registered Nurse working in the Intensive Care Unit. I quickly worked my way up the latter from the clinic nurse to the Chronic Care nurse and I am quite passionate about furtherRead MorePersonal Philosophy of Nursing1500 Words   |  6 PagesPersonal Philosophy of Nursing Personal Philosophy of Nursing Pamela Metzger September 11, 2011 Jacksonville University Personal Philosophy of Nursing Nursing Philosophy What is nursing, what does nursing mean to me? After much thought I have put together a few ideas of what the term nursing means to me, along with some supporting ideas from references I have read. Jacksonville University School of Nursing Philosophy One of the primary foundations of the philosophy of JacksonvilleRead MorePersonal Philosophy of Nursing682 Words   |  3 PagesPersonal Philosophy of Nursing Rosenald E. Alvin Florida Atlantic University A journey of 1000 miles begins with a single step, a Chinese proverb that I have come to live by through my journey of nursing. I never thought in a millions years that I would have become a nurse. When I was younger nursing was the only profession my mother pushed. It was as if everyone in our family had to be a nurse. Honestly, I think I rebelled from the thought of being a nurse simply because it was my mothers desireRead MorePersonal Nursing Philosophy1055 Words   |  5 PagesPersonal Nursing Philosophy My personal definition of nursing would be getting your patient to the highest level of health you can in your time with them while incorporating their family, environment, and beliefs/culture with a high level of critical thinking at all times. The American Nursing Association defines it as â€Å"the protection, promotion, and optimization of health and abilities, prevention of illness and injury, alleviation of suffering through the diagnosis and treatment of humanRead MorePersonal Philosophy of Nursing810 Words   |  4 Pages12, September 2012 Personal Philosophy of Nursing The American Nurses Association defines nursing as, â€Å"protection, and abilities, prevention of illness and injury, alleviation of suffering through the diagnosis and treatment of human response, and advocacy in the care of the individuals, families, communities, and populations.† (American Nurses Association, 2004, p. 7) There is a lot of work in nursing. There are lot of cores, focuses, visions, and philosophies of nursing. In my opinion thereRead MoreNursing Philosophy : My Personal Philosophy Of Nursing932 Words   |  4 PagesMy Philosophy of Nursing My personal philosophy of nursing began at an early age watching my mother volunteer for 25 years on the local rescue squad, following in the footsteps of her mother. I learned that helping others in a time of need should always be a priority. Respect and dignity should always be shown to people, no matter the who they are or where they are from. I have and will continue to show compassion for others while administering professional holistic care, guided by the AmericanRead MoreThe Personal Philosophy Of Nursing1642 Words   |  7 PagesThis paper is aimed at addressing the personal philosophy of nursing (PPN) in caring for the people, their-health and their-environment. PPN is defined as the way of navigating true about understanding individual or people living situation in according to their values, beliefs, health and surrounding (Whitman, Rose, 2003). This PPN has reflected many times in my previous works as an assistant in nurse, with the ACT agents known as Rubies Nursing. In this role, I have cared for both moderate andRead MoreThe Personal Philosophy Of Nursing1820 Words   |  8 PagesThis paper is aimed at addressing the Personal Philosophy of Nursing (PPN) in caring for the people, their-health and their-environment. PPN is defined as the way of navigating true about understanding individual or people living situation in according to their values, beliefs, health and surrounding (Whitman, Rose, 2003). Nurses in the process of applying for work may be asked about their PPN, and it is sometimes a required part of an employment packages. This PPN has reflected many times in myRead MoreNursing Philosophy Essay : My Personal Philosophy Of Nursing903 Words   |  4 Pages Personal Philosophy Paper Ndeye Ndack Gueye University of Central Oklahoma NURS 1221 December 1, 2017 Personal Philosophy Paper Nursing is a worthy career that allows the specialized nurse to improve healthcare. I believe that nursing is not only caring for the sick and injured, but also making the patients your priority. They should be treated with care, kindness, dignity, respect and compensation and not judged. In return, they should be able to trust you and be comfortable

The Formal Features Of Adaptation Novels English Literature Essay free essay sample

Adaptation from novel to screen can emerge as a debatable procedure: no version from one artistic medium to another can of all time be a straightforward or simple affair ( Dix 2011: 2 ) . The thought of a personal storyteller is particularly hard to portray in cinematic versions. The relationship between personal storyteller and reader is frequently an intimate one, and managers must take whether to convey the position of the storyteller, or interrupt away from this narrative technique. Steven Spielberg and Stanley Kubrick present controversial relationships in, respectfully, Lolita and The Color Purple, utilizing cinematic devices to pull strings the function of a personal storyteller onto the screen. Both Alice Walker and Vladimir Nabokov present personal storytellers who express themselves through composing. Nabokov implements a diary manner ( 40-55 ) and Walker uses epistolatory signifier, leting the personal storytellers to freely joint their ideas and feelings. These lingual constructions create a really personal experience for the reader, who is introduced to the supporters private contemplations. In The Color Purple, one is instantly led to sympathize with Celie: she is portrayed as a victim of maltreatment who aims to take attention of her sister ( Walker 2004: 5 ) . In Lolita, the supporter s impersonal mentions to himself, such as Main character: Humbert the Hummer ( Nabokov 1995: 57 ) , detach the storyteller from his reprobating actions, leting the reader to sympathize with his feelings. Many readers and critics†¦ found themselves inadvertently accepting†¦ the feelings of Humbert Humbert ( Tamir-Ghez 2003: 17 ) : not merely is the narrative told from Humbert s point of position, but he is the 1 who tells it, in his ain words, utilizing his ain rhetoric ( 22 ) . However, the contrariness of Humbert s descriptions, such as his masked lecherousness for her transparent limbs ( Nabokov 1995: 58 ) , and the reader s awareness of his rhetoric†¦ counteracts any feelings of empathy that might hold developed ( Tamir-Ghez 2003: 18 ) . On screen, the position of both Celie and Humbert is efficaciously translated by the usage of camerawork. Our allegiance with the cardinal character in The Color Purple is underlined by explicitly automatic cinematic images ( Morris 2007: 114 ) , such as a rapid climb in on Celie weeping, and an utmost close-up on her shaking manus. These camera shootings communicate Celie s personal experiences to the audience, leting them to sympathize with her unhappiness and fright, and sympathise with her portraiture as a exploited character. Both Spielberg and Kubrick use subjective camerawork and eyeline fiting to concentrate position on the supporters ( Dix 2010b: 4 ) . For illustration, we see through Celie s eyes as she stare at a exposure of Shug during sex ( Walker 2004: 8 ) , and similarly in Lolita we see Humbert looking at a exposure of Lolita while snoging Charlotte, pressing us to understand that both characters are repulsed by their coarse spouses. Rather than being distanced from Humbert, the movie encourages us to side with him ( Jenkins 1997: 40 ) , leting the audience through subjective camerawork to sympathize with his love for Lolita. The several managers execution of subjective camerawork and eyeline matching therefore allows the audience to sympathize with Celie as in the novel, and creates more empathy for Humbert than Nabokov creates. Both Kubrick and Spielberg effort to interpret parts of the texts linguistic communication onto movie. In Kubrick s instance, this was a heavy demand, as Nabokov s usage of linguistic communication is highly elaborate ( Dix 2010b: 3 ) , integrating frequent literary allusions, multilingual vocabulary , puzzles and word games ( Tamir-Ghez 2003: 17 ) , such as the repeat of quilt ( Nabokov 1995: 307 ) . Kubrick did cite generously from the novel ( Wood 2003: 185 ) , using multiple voiceovers to affect the audience in Humbert s private minutes. However, the complexnesss of Nabokov s linguistic communication were non explored on the screen: the voiceovers merely allowed us to see Humbert s diary entries and accounts of the transition of clip. In Walker s The Color Purple, Celie s limited vocabulary and chiefly monosyllabic linguistic communication represent her position as an uneducated adult female ( Dix 2010c ) , oppressed by society. Her inability to joint Albert s name, menti oning to him as Mr____ ( 6 ) , suggests Celie s fright of work forces as figures of authorization too unsafe to uncover ( Hite 1989: 111 ) . In renaming this character Mister on screen, the hushing consequence on Celie is somewhat lessened. Celie s childlike descriptions and similes are besides excluded from the cinematic version, for illustration, She weak as a kitty. But her oral cavity merely battalion with claws ( Walker 2004: 47 ) . However, the naivete of Walker s linguistic communication is successfully portrayed on the screen through Spielberg s recurrent usage of voiceover, integrating Celie s African American idiom and speech pattern. While the epistolary technique is unfilmable ( Morris 2007: 118 ) , the device of voiceover in The Color Purple indicates rather an earnest attempt†¦ to come close it ( Dix 2010c: 3 ) , leting us to understand what and how Celie thinks. Kubrick s voiceovers, nevertheless, do non convey as successfully the linguistic communication from Nabokov s text, intending that Humbert s composing manner diminishes on screen. It is of import to see who each personal storyteller converses with, both in text and on screen. In Walker s The Color Purple, Celie addresses her letters to God , proposing she has no 1 else to compose to , and underscoring her isolation ( Ross 2008: 3 ) . Her disclosure to confide in Nettie I do nt compose to God no more, I write to you ( Walker 2004: 173 ) does beef up Celie s character, but the deficiency of direct answers highlights her inability to pass on with anyone, making poignancy for the storyteller ( Dix 2010c ) . While Spielberg s movie does non present Celie authorship to Nettie, the voiceovers show Celie s ideas and supplications addressed once more to God. Akin to readers of the novel, the audience members are made external looker-ons of Celie s private ideas, symbolizing her initial incapacity to talk to any body ( Ross 2008: 4 ) . In Nabokov s Lolita, Humbert frequently speaks straight to the readers, mentioning to them as Gentlemen of the jury ( 69 ) . We, as readers, are hence encouraged to be involved in Humbert s narrative. He says himself, I want my erudite readers to take part in the scene I am about to play back ( 57 ) , proposing the storyteller s willingness to link with his hearers. On movie, some of Humbert s voiceovers are besides addressed to the audience, for illustration in saying, I can non state you the exact twenty-four hours when I foremost knew†¦ that a unusual auto was following us ( Kubrick 1962 ) . Kubrick hence translates the concept of a personal storyteller onto movie by reflecting the direct relationship between storyteller and reader. Both Spielberg and Kubrick are successful in reassigning the storytellers confidantes onto the screen ; in making so Spielberg represents Celie s silencing, and Kubrick establishes an confidant relationship for the audience. Both personal storytellers appear to the reader as soundless perceivers: Celie through her subjugation and Humbert through his demand to maintain his perverse ideas from other characters. Both supporters are besides presented as soundless perceivers on movie. For illustration, we often see Celie watching Mister through the window or detecting characters from the balcony, and when watching Mister and Shug through the door, she confesses I merely stand back ( Spielberg 1985a ) . In the novel, while Celie holds power by commanding the narration, she is likened by Sofia to a character that never stand up for herself ( Walker 2004: 39 ) . This silenced character is reflected in Spielberg s movie through Whoopi Goldberg s awkward organic structure linguistic communication, the foible of covering her face with her manus, and scenes such as Sofia invariably speaking as Celie mutely listens. However, the cinematic version portrays Celie as more arch, lodging her lingua out and express joyin g at Mister s incapableness to cook. Goldberg s character appears stronger than Walker s word picture: in control of the kitchen and organizing Mister s apparels before his battle. On the other manus, this control and naughtiness may merely be utilised to match with Spielberg s brand of commercial film ( Dix 2010c: 1 ) , and ironically merely shows Celie s strength as a domestic homemaker obeying her hubby. In footings of Kubrick s version, the observant nature of Nabokov s storyteller is transferred successfully onto the screen. In the novel, Humbert describes watching Lolita From a vantage point ( 41 ) , and the movie includes eyeline matching as he watches her through Windowss, and a focalising shooting with him watching her from a balcony. However, the contrariness of his character is otherwise about entirely excluded. In Nabokov s Lolita, Humbert begins with an expounding depicting his prehistory of craving after nymphets ( Dix 2010b: 4 ) , immediately alarming the reader th at they are seeing through the eyes of a perverse adult male with a predilection for small misss ( Jenkins 1997: 143 ) . While the movie viewing audiences shortly learn†¦ that Humbert is a liquidator ( Jenkins 1997: 36 ) , they are tempted to believe that the characters are involved merely in a eccentric love narrative ( 143 ) . Rather than Humbert taking to seduce Lolita , he is alternatively score by her ( Jenkins 1997: 52 ) , showing their relationship as common, and in making so portraying Humbert as a sympathetic character on movie. Alternatively of being conveyed as a ruthless, sexual marauder as in the novel, the cinematic Humbert appears more prone to titillating bad luck and exposure ( Dix 2010b: 5 ) , provoked by an older-looking Lolita and obeying her every demand. While Humbert is presented by Nabokov as a strong, perverse character, Mason s portrayal depicts him as a weaker one, intimidated by adult females and rendered deferent by Lolita s commanding mode. B oth Celie and Humbert s observant natures are reflected on screen ; nevertheless, Celie appears more comically powerful, and Humbert s sinister position is withheld, most likely for grounds associating to commerciality and censoring. When a personal storyteller controls a text s narrative, the uniqueness of position makes one inquiry their dependability. Celie s dialogical letters ( Dix 2010c: 3 ) usage Direct Discourse to retroflex a character s vocalization in a mode that , assumedly, mirrors the manner it was performed ( Herman 2009: 184 ) . The naivete of Celie s linguistic communication makes it hard to comprehend she is capable of utilizing lead oning rhetoric, particularly as her narrative is addressed Dear God ( Walker 2004: 3 ) , and non to the reader. However, she could present bias around Shug ; on occasion we see through Celie s look up toing eyes, for illustration, Ai nt nil incorrect with Shug Avery ( 45 ) . While she admits Shug is mean ( 44 ) and evil ( 45 ) , Celie seems incapable of comprehending her as flawed or fighting at all. Readers of The Color Purple discover everything through Celie s voice, nevertheless Spielberg uses multiple positions. By taking Celie as the omnipotent storyte ller, the audience can explicitly see Sofia s anguish, and closely follow Shug s journey towards rapprochement with her male parent. The usage of eyeline fiting with Mister as he watches Nettie from behind a newspaper suggests an effort at set uping his point of position. However, this presents Mister as perverse instead than sympathetic, and the audience is more likely to portion Celie and the other adult females s positions. The movie, like the book, is a feminist phantasy ( Morris 2007: 133 ) , observing how the women, independently and by common support, transcend their stereotyped places as laden adult females ( 123 ) . While it may be easier to sympathize with the female characters though, Spielberg s ability to utilize nonsubjective camerawork and present scenes without Celie gives the audience an indifferent position. In Nabokov s Lolita, Humbert is much less dependable, saying that through loss of memory he has mixed up two events ( 263 ) , and acknowledging changes of t he truth: my ain prosaic part ( 69 ) . We experience Lolita wholly through Humbert s position: Through the haze of his solipsistic desire ( Pifer 2003: 12 ) . Obsessed with his phantasies, he portrays Lolita through brief descriptions and reported address, and like Celie towards Shug, fails to comprehend any of her defects. In the movie though, the narrative no longer channels through him ( Jenkins 1997: 38 ) , leting us to see clearly other characters personalities ; hence, Lolita s mistakes and refractory pique are revealed. The characters are liberated from Humbert s exclusive position, allowing the audience at times to sympathize with Charlotte through her agony, for illustration. The displacement in position besides creates dramatic sarcasm for the audience, showing Quilty concealing from Humbert, and significance that the audience are non held back by Humbert s restricted narrative. In both Spielberg s The Color Purple and Kubrick s Lolita, the position is made more nonsub jective, reflecting the characters truthfully and leting the audience free opinion. Measuring the success of an version is nonsubjective, as while some would utilize fidelity unfavorable judgment ( Dix 2010a: 3 ) , others would disregard faithfulness in favor of original diversions ( 3 ) . Both Spielberg and Kubrick s movies hold many similarities with their altered texts, such as Spielberg s effort to show Celie s position utilizing subjective camerawork and voiceovers, and Kubrick s contemplation of the direct relationship between storyteller and reader. However, it is how the managers supplement the movies with other thoughts that makes them successful to stand entirely ( Spielberg 1985b ) . Both movies cut down the uniqueness of the personal storyteller s position on screen, making an indifferent position of other characters, and leting the audience freer opinion. Spielberg s portraiture of Walker s personal storyteller focuses on a procedure of self-discovery and friendly relationship, instead than an explicitly sexual journey and a rebellion against tradit ional spiritual beliefs. Kubrick s word picture of Humbert is much less perverse than in Nabokov s text, making a more sympathetic character and transforming the cardinal relationship into one slightly more socially acceptable. In reassigning facets of the personal storyteller technique onto the screen, and excepting others, both Spielberg and Kubrick have created successful versions. 2190 words ( including mentions )